One story I do vaguely remember in the audio tour of the Alcatraz prison is the story of inmates that managed to escape or almost escape. I myself have experienced this form of locative storytelling when I visited Alcatraz island in We can see this style of motion language in many films during the credit sequence. There were text and images on the page. As mention earlier, the motion of the language did fit the theme of the poem; I like this style of poetry. What if home-bound individuals could put on VR goggles or use an AR camera to initiate a program where the author of a book or another individual reads the book to this person so they are stimulated and potentially feel less lonely? The words moved in and faded away like the central character the boy in the poem who wished to go unnoticed.
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We interpret the food size and color to mean delicious; this causes the food industry to modify food to look delightful. What if home-bound individuals could put on VR goggles or use an AR camera to initiate a program where the author of a 3dfictiin or another individual reads the book to this person so they are stimulated and potentially feel less lonely?
This has already happened with Black Mirror: Interactive installation is a form of Divergent Stream that is most interesting to me. The words moved in and faded away like the central character the boy in the poem who wished to go 3dfictino.
The future of this technology is powerful if we can harness the ability of VR and AR to provide meaningful experiences that challenge our understanding, and empathy, as individuals. They are no longer limited by print and have the opportunity to come up with unique methods that help convey their story the best way possible. We can see this style of motion language in many films during the credit sequence.
The shape of the words strengthened the poetry; it added more weight to the main idea of the poem if that makes any sense. The rise of virtual reality has been a slow one. Some stories like Text Rain take the elements our languages have been using for centuries and find unique uses for them. Kinetic poetry can also really be taken advantage of.
The poem is a representation and a voice about a boy who left in the shadows and wants to disappear. These sorts of modern stories oftentimes revolve around various types of hardware and screens. Technology allows creators to tell stories in just about anyway they can imagine.
With locative fiction, however, the intimacy of neighborhood performance art is able to be fixed in time and space. Family history is incredibly important to me and I think it would incredibly cool to utilize locative narrative in order to tell it.
3dfictipn only had the colors red and black. Based on the several divergent streams that Rettberg discussed, I personally found expanded cinema the most interesting. I can also imagine users interacting with the hypertext fiction. What literary possibilities are there in virtual and augmented worlds? This would be a great and fun way for the genre to become mainstream.
Rettberg describes just how varied locative fiction can be:. We tend to want food to be big and juicy.
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I find it likely that cinema will become more interactive as the years progress, but honestly I doubt mainstream cinema will ever get to the extent that Rettberg discusses.
If you hover your mouse in either direction the photos will zoom past music. Street performances, outdoor concerts, flash mobs, and the like could be experienced only if the viewer was physically in the area; videos and retellings of the events are interesting but ultimately inauthentic secondhand narratives, unable to precisely capture the minute details of a live event. Rettberg also brings up the fact that locative storytelling has been used 3dfictino a purely audio sense, such as guided tours of a specific location.
I am a writer; I can see myself working within this genre and using kinetic poetry and hypertext fiction as a way to let others interact with my work to see what they would do with it. People often choose to view the future of technology with optimism.
Rettberg describes just how varied locative fiction can be: This interaction gives you a sense of 3dfictionn, similar to how you would control the speed of your own vehicle. Of course, the visuals did help the spoken word, which is interesting. Imagine if one can project a 3dficion at an exhibit where anyone can interact with the poem, 3dfixtion as 3dficfion Stark Iron Man interacting with his holographic projector and change line breaks and moving words around so the poem can take on a different meaning.
The 3D space that VR provides really takes kinetic poetry to a whole other level. A is for Apple by David Clark is an interesting poem.