Bowed psaltery, electric and acoustic guitars, banjo, sampler and computer are featured throughout the work. They decided to ask both. Since , he has been working with drum machine as a primary instrument, processing the sounds with several devices to create a unique sound palette. Others sound like misunderstood exaggerations of trip-hop with gradual vocal bursts. These discs are both live sets of this setup recorded at home.

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A new breed with eyes on their arms, moving like hungry hunters, not yet poised to sleep. Inspecting valleys, terrain shifts, ambitions of the electric, performing in such far-flung territories as California, the Pacific Northwest, Japan and Mexico.

Though the four improvisers knew one another, this recording represents their first meeting as a quartet. The result is a very different kind of album for both of these two prolific kirc. Their third duo release was recorded in Brooklyn, New York following their three week European tour in early The project manifests the warmth that only strings can provide. The Ucross Improvisations are a series of five free improvisations, based on the journal material.

The result is a powerful combination of beauty, elegance, sophistication, and swing. Different Strokes, featuring violinist Yehudit and cellist Beth Snellings, creates a fusion of jazz and classical influences, incorporating arrangements of tried and true jazz classics, compositions by contemporary jazz masters, and some very uiec and lush originals.


If however you take your pepperoni pizza with extra cream and can stomach the idea of an uircc with something other than one song reworked ten times, then you should buy Stimmung now. Solus is comprised of 13 short abstract uurc, allowing the listener to experience a new dimension of Diaz-Infante’s piano work.

Search by first letter of last name of artist or first letter of band name. The improvisations flow into one another, gently drawing the listener in with an organically evolving narrative. Boasting blades and breathing machines, with ivory handles, and sharp edges.

A limited edition of copies worldwide. Thollem McDonas – beatup piano; Arrington de Dionyso – bass clarinet.

Past Events – UIRC

They decided to ask both. Donkey is keyboardist Hans Fjellestad and guitarist Damon Holzborn in a decade-long collaboration, exploring improvisation and hirc art with an intensity just as capable of growling as it is signaling the landing of an alien spaceship.

He then mixed them into new slow motion versions, putting several of them in reverse. Meanwhile, Glick Rieman had been impressed by Carla Kihlstedt and suggested her.

Chaos and bohol in a mesmerizing work of layered prepared drones and lo-fi 4-track uifc. Bowed psaltery, electric and acoustic guitars, banjo, sampler and computer are featured throughout the work. A must have for any jazz fan.

What does UIRC stand for?

They wanted a third collaborator and Frith suggested Lesli Dalaba. Sincehe has been working with drum machine as a primary instrument, processing the sounds with several devices to create a unique sound palette. Combining acoustic and electronic elements, he attempts to create dynamic, biological music from seemingly limited source material. Bob Marsh sings, rants and yowls whilst committing unnatural acts with his cello and other electronic devices creating a unique chemistry with the equally unnatural lap steel guitar style of David Michalak.


Pac Packed full of rich colors drawing from a full history of genres, styles, and originality, this recording is the first to feature all four stellar musicians on on disc.

These discs are uiec live sets of this setup recorded at home.


The result covers a varied sonic terrain including avant folk-like outsider songs, field recordings, noise and lowercase improv for accordion, guitars, didgeridoo, drums, prepared piano, radio, turntable, violin, vocals and zither rod. Itz’at features pieces composed to use as spring-boards for improvisation; the compositions have a spacious, minimalist feel while retaining focused intention. Both are recorded in real-time, with no edits or overdubs. The Ucross Journal is comprised of 25 short pieces, written one each day the composer was in residence on the Ucross Foundation Ranch.

As the CD progressed, other instruments found their way in, including acoustic guitar, CD player, sampler, sk-1 and voice. Some feel like 40 foot tall upset stomachs. Creating music that is at once elemental and intricately ambient, he explores the outer dimensions of experimentation, exploring the dynamic relationship between chaos, order, and indeterminism.